WHAT THINGS ARE SURFACE IN LIFE, AND WHAT THINGS ARE COMPLEMENT OF HAPPINESS? WHAT IS THE PERFECT WILL?

WHAT THINGS ARE SURFACE IN LIFE, AND WHAT THINGS ARE COMPLEMENT OF HAPPINESS?

WHAT IS THE PERFECT WILL?

The birth of a child is always something very cute. We are born and grow up under the care of our parents who love and care for us.

Then we do bigger and then begin to see that we can no longer be in the arms of mom and dad, it's because life requires us to be independent, but not mean by that to be independent in every way, but only those who really are necessary and obligatory.

Life will not require you away from your family. Do not let your requires parents or children, but requires you to find your own way, your own happiness.

Parents teach us to study. They show us the rights we have as citizens. They tell us which things are good and which are not; but they can not tell us which way to go because when we grow and we are men then our mind requires us, along with life, we take the path that drives us.

We all bring a passion within us, that is from the beginning, and that will propel you to follow the path.

Your parents can not tell you which way to go or what to do with your life then, that depends on you, and that is where you are independent.

The happiness of your parents will not give you happiness, and pain of your parents will not hurt you like them, that's because in that part we are independent, within us only send our own energies.

That's why life requires you to find your own way.

Find your reasons for pain and tears.

YOU FIND YOUR COMPLEMENTS TO BE HAPPY.

Growing up we usually go after things that do not cause us any enthusiasm (so to speak), so we ignore everything we should know from childhood, and therefore never find happiness.

We lose dreams, work just to be tired, we managed things for other branches that are important, but for us mean nothing.

We engage in things that do not give us happiness.

PILLOWS at this point are very important because we have them all at night while we cry.

We engage in alcohol and drugs, those things just with our health and eventually makes it impossible life.

We live only to meet the requirements of others (our parents perhaps) that tell us to do this or that, then we do and we used to do everything to make others happy, but with that we forget ourselves, and We NEVER WALK IN PURSUIT OF HAPPINESS.

These things I just mention to you, among many others, are artificial things in life. They never make you happy.

One more thing, happiness is more important than human imagine. You can not live without it, and if you dare then feel each time we're lost, that these wandering in the world, you're disoriented.

SO YOU HAVE SENSE?

ME: YES.

The fact is that when you're an adult you have to train you as such, you have to give your life what she requires.

Life always requires happiness because there is no life without it.

WHEN YOU ARE ADULT YOU HAVE ABSOLUTE OBLIGATION TO BE HAPPY, it is something you must do to honor your life.

PERFECT WILL is what makes us happy.

That will is the will of God as described in the Bible.

Are the complements of happiness that give us that much desired life.

These are the complements of happiness.

• BE IN HEALTH.

• PROSPER YOUR SOUL.

• PROSPER IN YOUR WAYS (FINANCE).

Three complements that do not work without each other.

In the same way is a risk to have one without achieving the other, or knowing how.

Financial prosperity is very complicated, it is because we often confuse us, and we began to believe that money and prosperity can lead to happiness for themselves;

But how could that be if happiness requires three key factors, then one or two will get you to her.

!Even saying goes Money is not happiness, but leaves you to a corner of it!

If each factor is a corner, then the money will not let you into a corner, but two.

Anything else.

PROSPER IS WHEN YOUR ECONOMY DOES NOT DISRUPTS ANOTHER.

The money usually give us so much that we forget the other two factors, but there always comes a day when happiness happens tells us, AND THAT DAY YOU FEEL MISERABLE despite having prosperity.

Some people have health and live their lives so quiet. They are not happy, but they have a peace of mind by having one of the three factors.

And it seems to possess a single factor of three makes us feel that we are at peace and we are happy.

If one makes us believe that we are already happy, you imagine how you would feel if the get all three?

The most complicated factor is the SOUL PROSPERITY.

Is the most important because it is the most difficult to achieve.

Many in the world share health, mourning for those who are sick, but a high percentage of people in the world have health, good health. In the same way there are also many who have money and prosperity, but not everyone can say that they feel good about themselves, I am sure that few would say they have thrived in his soul.

We do not like much because it involves too much.

It involves the following:

• You forget grudges yesterday and you learn to forgive those who have offended you.

• Do not hate your parents for whatever reason you consider deserved.

• Do not mistreat those who are near you.

• You forget the pain of any betrayal.

• To believe in God, or at least respect him.

• They learn to recognize your mistakes and apologize when you do.

• You release your soul from suffering.

• May you be good. You are a healthy person.

The prosperity of the soul means that we have a healthy soul, and that is not infected with all the things that can stain it (hate, anger, resentment, etc.)

The prosperity of the soul is when you feel good about yourself, WHEN THERE IS NO PART OF IT reproach you.

When your soul knows it has nothing outstanding to settle with anyone, including God.

To know if you're good at this point do the following:

Think of yourself, how you are; in what you are; on the things you want; how you see others; how you behave; in as you think; in what you do; in what you say; ALSO THINK AS YOU SAY OR DO NOT ...

Then get tested yourself, ask

I HAVE MY SOUL PROSPERITY?

I'm good about myself?

Now after all this tell me honestly tour; if you had to choose one of these factors in your life ...

WHAT WOULD?

Tell me also; if you had to pick two factors,

WHICH WOULD BE?

I also want you to tell me;

THIS MONEY AND MATERIAL PROSPERITY are between your previous elections?

ANYWAY.

As we see financial prosperity is what interests us less when we are sincere and want to be happy, but is no less important because it is a factor for happiness.

None is independent of the other, but in the same way there are some that can overcome the other, it is so that we know what to look for and what to look after first.

As I said, the money envelops us and blinds us, that's to be careful if we have not got the others, so handle with care.

That concludes,

If you feel, after reading this, still lacks a factor to be happy, then go after him.

It's never too late.

A warm greeting from your friend,

Jose Ruben Amador

THINGS marked me IN IMPETUOUS FORM. # 0.3; THE PRODIGAL SON. THE WAY BACK.

THE PRODIGAL SON

THE WAY BACK

Jose Ruben Amador

INTERIOR. A CITY SIDEWALK. DAWN.

The camera runs a street, slowly, soft and moist. The camera slowly walking slowly up the sidewalk to the feet of a man.

Lucas (Luke) is lying on the ground. The camera focuses on his face.

Lucas gestures be dreaming.

INTERIOR. LUCAS´S HOUSE. DAY.

Some workers are preparing the table. They put a pig on the table, and wine.

The camera moves through the house and reaches a balcony. Lucas is back to camera, watching a hill in the distance.

The camera focuses Lucas front. Lucas looked down, and passes his hand over his face in a gesture of stressed.

LUKE

I'm tired of the same. I must change.

DINING AREA

All are sitting at the table, everyone is eating. The camera focuses only Lucas playing with food, enters the fork on the plate, release the fork and take his wine.

The father is looking at Lucas.

FATHER

Son you're okay?

LUKE

(Disinterested)

Yes Dad, I'm fine ... I guess.

FATHER

What's wrong son? You look a little distracted today.

LUKE

I'm tired Dad, that happen to me. I'm tired of the same, no emotion my life. I can not stand it anymore.

I want to leave.

Everyone at the table are left with their mouths open. Everyone looks to the father. The father looks at Lucas silent for a few seconds.

FATHER

You do not miss anything here my son. Your family, your life, all my love,... here. Where do you want to go?

LUKE

Dad I want things, things that I haven't here, so I'm leaving.

FATHER

Son, ... remember? Not what you're looking for,...

LUKE

I already know that of memory. I'm leaving tomorrow morning.

Luke gets up from the table and walks.

The father looks down at his plate. Lucas's brother puts his hand on the shoulder of his father.

INTERIOR. LUCAS´S ROOM. NIGHT.

There is a small light on.

Luke is lying in bed looking up.

LUKE

(VOICE OVER)

Not what you're looking for,...

EXTERIOR. LUCAS´S HOUSE. DAY.

There is a carriage prepared. Some men climb suitcases.

Lucas is counting papers.

Father Lucas approaches to him.

FATHER

My son ... do not go.

LUKE

I must go Dad. You do not see that I am not happy?

FATHER

My love, you're just confused. Give you time and you will heal, but do not leave my son.

LUKE

I've decided Dad.

Lucas gets into the carriage. The car starts and drives away.

Luke's father begins to mourn.

FATHER

(With tears in the eyes)

Son do not go.

Luke's younger brother hugging his father. Father weeps disconsolate.

Luke's brother hugs, the father pulled down to mourn, cry in the arms of his other son.

The image is paralyzed in the face of the father crying.

INTERIOR. CARRIAGE.

The camera focuses on the face of Lucas who turns his gaze downward, wanting to mourn, but looks up to face strength.

LUKE

(VOICE OVER)

Daddy always tells me and my brother something we will never forget, something that has become part of our lives.

EXTERIOR. FIELD, NEXT TO A BEAUTIFUL SPRING. 10:30 a.m.

The father, Lucas and his brother are putting some stones in the water dividing the river.

The camera focuses on the spring extending away, and a beautiful water fountain.

All three are in the water putting some stones.

On the shore there are baskets and three blankets lying.

The river divides a bit and the three sit on the shore.

The camera focuses lying on the floor.

The father sits while looking for the spring, then looks at his children.

THE FATHER

This is very important to children.

Sometimes we want to try different things because we feel not happy, and I say this because I go through those things, and you can believe me when I say,

(The father says the party down the river)

That is not what we want, ...

(The father says that part of the river source)

My love ... the important thing is what we leave.

The boys laugh.

EXTERIOR. FIELD OF THE CITY. DAY.

Lucas is plowing a part of the field on a farm. He stands, sweat stays clean and thoughtful.

The camera focuses on his pensive face.

LUKE

(Voice Over)

The source ... that was my house, that was my father.

It is not the same a river that comes from a pure and eternal fountain, new water every second ... Than a river where only there is inn water.

At some point that water damage will produce bacteria, mold, and the worst it is that at some point, you know, that water will dry up.

My house was the source of my quiet, and my peace, and change it for things I wanted; at first I loved, but they are perched rivers, water ... and always finish drying.

I remember the beginning, ...

EXTERIOR. TOWN´S STREETS. TO BECOME NIGHT.

Lucas's carriage comes to the door of a hotel.

Where a woman comes to him, and one of the men enters his bags to a room.

INTERIOR. LUCAS´S ROOM.

Lucas comes into the room, he removed his hat and leave it on the bed.

Look out a window and see the lights of the town.

Lucas smiles.

EXTERIOR. LUCAS´S HOTEL. NIGHT.

Lucas leaves the place, walk with his hands in his pockets. Walk the streets slowly. Lucas looks to his right and there is a beautiful woman staring and very sensual way.

Lucas looks at a place where there are some people out.

There is a man sitting next to two women, man puts his hand on the booty of one of them, she smiles like a cricket (Jejjje).

Lucas goes to the place.

INTERIOR. VILLAGE TAVERN.

Lucas approaches the bar, serve him a drink of whiskey.

Luke takes the drink and sits on a table. The camera focuses on men talking among themselves, well dressed and powerful demeanor.

The camera focuses some women sitting at another table.

A table of Lucas bring a bottle of whiskey, some people look to Luke table.

TABLE OF MEN

MATTHEW

Who is our new partner?

ALFONSO

I do not know, I had not ever seen. He must be new in town, although it seems to have money. We have to approach.

Other board members nod.

A woman gets up from her table, the camera focuses while she walking; she goes directly to the table of Luke.

The girl stares at Lucas for a moment.

The girl smiles.

LORENA

I'm Lorena. I've never seen you, it is a shame.

LUKE

Shame for what?

LORENA

Because we would be good friends you and me. I love men with a firm demeanor as yours.

LUKE

And I love women who are called Lorena.

The girl smiles and Lucas makes with his hands a sign to her to sit. Lorena feel.

Luke stares at her, she smiles and smiles.

LUKE

(Quietly)

I love your dress.

LORENA

Only,...?

INTERIOR. LUCAS´S ROOM.

Lucas is lying in bed. Lorena stands in front of the camera naked, the camera focuses on her buttock.

Lorena Lucas walks up and climb over it.

The camera focuses on both kissing.

Lucas is put on her, the camera focuses them naked.

The camera focuses light the candle, and slowly fades in the same light until the candle looks a little worn.

The camera focuses on Luke lying naked and Lorena lying back on the left side of Lucas.

Lorena is running his fingers over the chest of Luke.

LORENA

And what brings you here Luke?

LUKE

(Looking at her)

I come for business and pleasure.

LORENA

(Laughs)

The second thing you'll give me, and the first thing you will find easy; This is a good town for business, but not every business or not all people.

LUKE

What do you mean?

LORENA

Not all people have good intentions and you have to know with whom to negotiate.

LUKE

Ok.

EXTERIOR. STREETS OF THE CITY. DAY.

There comes a carriage to the door of a place where four men sitting at a table outside.

Lucas leaves the carriage.

Lucas goes to the table and sits down.

LUKE

Gentlemen,...

MATTHEW

Hello Lucas.

(Handing an envelope to Luke)

Here's your part of the last week.

LUKE

(Taking over)

Thanks Matthew. I have a new idea to help us earn a lot more money, maybe we can talk about that in a few days.

ALFONSO

Ok, Now I want to hear. And how is your relationship with Lorena?

LUKE

Well ... we'll talk later, I'm leaving.

Lucas get up to the table and goes to another table.

There is a man and Luke greets him with the hand.

LUKE

Hello friends, how are you today?

RAMON

Well friend, your how are you? You look relaxed today.

LUKE

Yes,...? Very good I am happy.

Both laugh.

LUKE

You know ... sometimes miss my dad, but is going well to me, do not think I should be afraid, you do not think?

RAMON

Parents have the advantage of already experienced things that we are living or will live tomorrow.

You do not plan to visit him?

LUKE

(Thoughtful)

... I do not know, maybe later. I wonder what he's doing right now.

EXTERIOR. LUCAS´S FATHER HOUSE. DAY.

Lucas's brother is standing on the balcony looking forward. The camera focuses on a person standing across the road.

The camera zooms to this person, the focus from behind, from the feet to the top, then turns slowly and face the father of Lucas is looking wistfully.

THE FATHER

(VOICE OVER)

My son, ... when you'll return?

Lucas's father looks down and begins to mourn.

Lucas's brother makes a face of pain and turns down looking.

INTERIOR. LUCAS´S HOUSE. DAY.

The camera focuses on the closed door, the door opens and enters Lucas. Lorena looks back from the kitchen.

Lucas approaches to Lorena and kisses her.

LORENA

How was your day?

LUKE

(Thoughtful)

All right,...

LORENA

Something bad happens? What are you thinking up?

LUKE

(While out of the kitchen)

There's nothing wrong baby. It smells good, what is?

LORENA

Turkey,...

LUKE

(VOICE OVER)

(STRONG)

Delicious,...

When they are at the table eating chair facing his right side Lucas, he remains fixed and flabbergasted.

DINING AREA

All are sitting at the table, everyone is eating. The camera focuses only Lucas playing with food, enters the fork on the plate, release the fork and take his wine.

The camera focuses on the father, looking at Lucas.

FATHER

Son you're okay?

LUKE

(Disinterested)

Yes Dad, I'm fine ... I guess.

FATHER

What's wrong son? You look a little distracted today.

LUKE

I'm tired Dad, that happen to me. I'm tired of the same, no emotion my life. I can not stand it anymore.

I want to leave.

Everyone at the table are left with their mouths open. Everyone looks to the father. The father looks at Lucas silent for a few seconds.

FATHER

You do not miss anything here my son. Your family, your life, all my love,... here. Where do you want to go?

LUKE

Dad I want things, things that I haven't here, so I'm leaving.

FATHER

Son, ... remember? Not what you're looking for,...

LUKE

I already know that of memory. I'm leaving tomorrow morning.

The scene returns to the dining Lucas.

Lucas releases the fork on the plate and passes his hand over his face, has the face of stress.

Lorena is focused by the camera looking at Lucas staring.

INTERIOR. ROOM. NIGHT

Lorena is lying on the chest of Lucas, he is pensive looking up.

Luke closes his eyes.

INTERIOR. SALON. DAY.

There are six people sitting at a table.

LUKE

Listen, this is the plan.

We will take money to make investments in the hands of another, our resources, but with the hands of another.

Instead of producing 300 tasks vegetables we can take the same amount of investment and giving it to 5 or 6 people trusted to do the same, and thus would have more profits, more workers also gaining ... we would be covering a lot and tightening much, everyone would win.

ALFONSO

Take our money to give to another? That is not much risk?

MATTHEW

Lucas, do not know if that's a good idea.

LUKE

We can achieve something good with this.

MATTHEW

We would have to invest a lot of money, money that may not have at hand.

LUKE

I will put 50% and the other 50% you ... What you say?

Gentlemen look at each other.

MATTHEW

Lucas, but if you lose all that money, what you're going to do son? You would earn 50%, but also lose the 50%, do you understand that right?

LUKE

Yes, I understand.

ALFONSO

Ok, We will do it. If everything go fine we will ear much.

Luke nods.

INTERIOR. VILLAGE TAVERN. NIGHT.

There are two women kissing, a long drink of alcohol are taken and then laugh.

Lucas and Ramon are watching the scene and smile.

LUKE

They agreed to make the investment?

RAMON

You have people put to work?

LUKE

We're on it, no?

RAMON

(After laughs)

Yes, it's true.

Both provide.

RAMON

Luke, I can not stop worrying, what will happen if you lose all that money brother?

LUKE

We can win too. Everything will be fine. I got the won too.

RAMON

You do not think it's best to take the project with more calm? I have cattle, but you can not hold yourself if you lose all that money ... think about it.

LUKE

You sound like my father.

(Putting his hand on the shoulder of Ramon)

Everything will be fine friend.

RAMON

(Thoughtfully, he sighs)

Ok.

Lucas drinks his drink down.

EXTERIOR. FIELD OF THE CITY. DAY.

Lucas is standing with the face of nostalgic.

The camera focuses on Lucas from behind and focuses the floor. There are many damaged, dry and destroyed plants.

Luke looks everywhere, much land is planted.

LUKE

This may not be possible ... I have no luck, no luck. 5 draft and all were lost.

Wao ... and now that I do?

INTERIOR. TOWN HALL. NIGHT.

Lucas is sitting between Matthew and Alfonso. Lucas is thoughtful, his hand on the table and his face leaning on his hand.

MATTHEW

I'm sorry boy.

ALFONSO

We lost everything, How was that possible? Not a project, everyone. It's amazing, I had never heard of anything like it.

LUKE

Luckily, ... no luck.

Lucas sighs and gets up from the chair, takes the drink and takes it completely.

MATTHEW

Son what you will do? If you want I can buy you won to a good price, so maybe I can help you like this.

LUKE

Ok.. Tomorrow we square. Thanks to both of you.

All nod.

INTERIOR. LUCAS´S HOUSE.

Lucas enters the house, the door opens,

The door opens, Luke comes to the house and Lorena comes out very well dressed.

LUKE

Where are you going,...?

LORENA

I need to get out for a while, I can not be here.

LUKE

You're good,...?

LORENA

(Firmly)

What you believe?

Lorena leaves the house and Lucas stares quiet.

LUKE

This is bad.

INTERIOR. RAMON´S HOUSE. DAY.

Lucas and Ramon are sitting.

RAMON

Are you sure of this?

LUKE

Yes, do not worry. Then I will visit you.

RAMON

But where will you go? You go home, from your father? It's a good option.

LUKE

I do not think my father will accept. I'll see friend. I got some money for the remainder of the won, that would help me until I recover again.

RAMON

Okay friend. Take care.

Lucas stands up, and goes up to the carriage.

EXTERIOR. LUCAS´S FATHER HOUSE. SUNSET.

Luke's father is standing looking down the road and see how far an unknown carriage.

He is surprised, smiles shyly.

The father holds his hands in the chest.

THE FATHER

My son ... will be my son?

The carriage is coming to the Lord, the door opens.

The camera focuses on the face cheerful Luke's father.

From the carriage come out slowly a man.

VISITOR

Excuse me sir, but I missed.

LUKE´S FATHER

(Stunned for a few seconds)

Oh ... of course, and to where you go?

The visitor is talking to the Lord. Luke's father is sleepwalking while listening to talk to visitors.

Lucas's father turns his face to the road again.

INTERIOR. LUCAS´S ROOM. NIGHT.

Lucas is sitting in a chair facing the street.

LUKE

(VOICE OVER)

What I am going to do? I have no money.

Someone knocks on the door of Luke's room, he opens.

Is a woman.

WOMAN

Hello young Lucas, sorry to remind you, but tomorrow should give me the room.

Lucas smiles sheepishly and nods.

The woman leaves and Luke closes the door.

LUKE

I'm ... knackered.

EXTERIOR. STREETS OF A CITY. NIGHT.

Luke walks through the streets, ...

Sitting on a wall, looks at a light that is lit in the sky.

LUKE

(VOICE OVER)

No support, no girlfriend, no friends.

To this I left my house, to lose everything.

These are very painful day ... but my father never accept me again.

I will return ... if there is a place in the world where I do not reject that place certainly is my father's house.

He leans back wall and closes his eyes slowly.

EXTERIOR. LUCAS´S FATHER HOUSE. DAWN.

Luke's father is standing at the road, he see someone coming away.

The father walks slowly sharpening his sight.

The camera focuses on the face of the father of Lucas.

The father begins to mourn.

THE FATHER

(Making sobs)

OH ... my son Lucas.

Lucas goes to the father, and his knees, his father watches as he cries.

LUKE

(Crying)

You do not have to accept me as your son, just let me work for you, be one of your workers.

THE FATHER

(Hugging him)

OH son, I have waited so long for this moment.

I am happy today.

Come to the house.

The little brother is on the balcony, the camera focuses him.

The younger brother smiles.

YOUNGER BROTHER

(VOICE OVER)

It was time for you appears Luke.

Welcome brother.

INTERIOR. DINING AREA.

Are all sitting. The father hugging Lucas. Lucas wears different clothes. Lucas looks at his father.

LUKE

Forgive me father. I do not trust what you taught me.

THE FATHER

Son, no matter what happened, now you're here, just that matters.

Lucas makes a face of wanting to mourn.

The younger brother of Lucas puts his hand on the shoulder, Lucas looks up him and smiles.

Everyone starts to eat.

The camera focuses on Lucas looking at them tenderly.

LUKE

(VOICE OVER)

Not bad desire things because those things are what we are and achieve okay, ...

Everything is good in just measure and reason, but when you change the truth for fantasy then you change everything else, change only will affect you and your soul, a soul that you must take care or kill you inside, and that will cause you the worst pain you can feel out.

The real achievement of humans is to be near our father ... is to be near of God.

Everyone wants things than do not need the soul.

There are those who embark on a journey seeking peace and passion and sense of achievement, finish and get the prize, then they discover that there is no peace, there are achievement, but not peace, ...

And start again discover the same thing each time, the cycle repeats and our mind keeps us prisoners.

(LUCAS smiles)

We feel a lot of pain, almost infinite pain, we think that nothing will give us peace because we already have all or we have nothing, but for our infinite pain we have his infinite peace, infinite love and infinite mercy.

God is not pleased affliction man because although afflicts also remembers in his infinite mercy.

Money comes and goes, the possibilities too, the important thing is peace, peace that only gives one who knows our soul, that person is God.

The important thing is our family, our brothers and sisters, our children, our parents, and our father God.

Thanks and glory to God for his love and willingness to heal daily.

INTERIOR. LUKE´S FATHER OFFICE. DAY.

Lucas enters shyly.

The father sees him and smiles.

Lucas approaches him.

LUKE

Dad, I have this project, I think it's good and I'd like you to see it, I'll leave it in your hands and if you like maybe we can make it happen.

We can change whatever you want, I trust your judgment.

The father holds the document and hugs his son.

Luke does reverence and leaves the room smiling.

The camera focuses on Lucas walking in the hallway of the house.

LUKE

(VOICE OVER)

Best in the hands of your father, that in the hands of someone else.